Dating old fender amps
Dating old fender amps - dating dir
Tech Specs: Once again, Fender issued three distinct variants of the Princeton amp during the Blackface era: the transitional “tuxedo” model, as well as reverb and non-reverb models in the new “Princeton” style.
Still, with this amp, you get a lot of oomph and versatility in a compact and relatively light package.Overshadowed by the Princeton Reverb, which is widely considered one of the most famous studio amps ever built, the non-reverb Princeton is a sleeper hit.Its existence in the shadow of its reverb-capable brother is a shame, as it offers some of the finest pure Fender tones you can find in a compact package.Blackface amps were immediately popular upon release and used on numerous famous recordings.They continue to be a backline and recording mainstay of musicians who seek a great, chimey Fender clean and, when pushed, a classic overdriven tone.And of course, your Champ can be mic’d to be used in just about any size venue.
Just grab your guitar and this little powerhouse and head out to the gig.
The tuxedo was the result of the ever-thrifty Leo Fender wanting to use up the remaining “brownface” Princeton Amp chassis and cabinets.
Issued from mid-1963 to mid-1964, the tuxedo amps featured Blackface cosmetics, but were very snazzy looking with white barrel knobs.
Sometimes referred to as the “Baby Twin,” the Pro Reverb provided a lot of musical firepower and fit the bill in larger venues.
Tech Specs: The 4x10” Concert amp put out about 40 watts.
Also, the non-reverb models cost a lot less than the reverb amps.